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The Retribution thacj-7




  The Retribution

  ( Tony Hill and Carol Jordan - 7 )

  Val Mcdermid

  Val McDermid is the author of twenty-four bestselling novels, which have been translated into more than thirty languages, and have sold over ten million copies. She has won many awards internationally, including the CWA Gold Dagger for best crime novel of the year and the LA Times Book of the Year Award. She was inducted into the ITV3 Crime Thriller Awards Hall of Fame in 2009 and was the recipient of the CWA Cartier Diamond Dagger for 2010. In 2011 she received the Lambda Literary Foundation Pioneer Award. She has a son and a dog, and lives with her wife in the north of England.

  Also by Val McDermid

  A Place of Execution

  Killing the Shadows

  The Distant Echo

  The Grave Tattoo

  A Darker Domain

  Trick of the Dark

  TONY HILL NOVELS

  The Mermaids Singing

  The Wire in the Blood

  The Last Temptation

  The Torment of Others

  Beneath the Bleeding

  Fever of the Bone

  KATE BRANNIGAN NOVELS

  Dead Beat

  Kick Back

  Crack Down

  Clean Break

  Blue Genes

  Star Struck

  LINDSAY GORDON NOVELS

  Report for Murder

  Common Murder

  Final Edition

  Union Jack

  Booked for Murder

  Hostage to Murder

  SHORT STORY COLLECTIONS

  The Writing on the Wall

  Stranded

  NON-FICTION

  A Suitable Job for a Woman

  COPYRIGHT

  Published by Hachette Digital

  ISBN: 978-0-748-12578-4

  All characters and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

  Copyright © 2011 by Val McDermid

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher.

  Hachette Digital

  Little, Brown Book Group

  100 Victoria Embankment

  London, EC4Y 0DY

  www.hachette.co.uk

  For Mr David: for reminding me how much fun this is,

  for shaking up my ideas and for showing faith.

  Contents

  Also by Val McDermid

  Copyright

  Acknowledgements

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Acknowledgements

  This is my twenty-fifth novel. And still I have to go around picking people’s brains to make it all work. As usual, there are those who prefer to remain anonymous. Their willingness to share their experience never ceases to impress me, and I am grateful for the insight into their worlds.

  Carolyn Ryan was generous with her contacts; thanks also to her and Paul for putting up with me on the caffeine-free dog walks. Professor Sue Black and Dave Barclay gave me the benefit of their forensic knowledge, and Dr Gwen Adshead talked more sense about abnormal psychology than anyone else I’ve ever heard.

  I just write the books. It takes a small army of dedicated people to get them into the hands of readers. Thanks as always to everyone at Gregory & Co; to my support team at Little, Brown; to the peerless Anne O’Brien and to Caroline Brown who could make the trains run on time if she put her mind to it.

  And finally, thanks to my friends and family whose love is really all I need. In particular to Kelly and Cameron, the best companions a woman could ask for.

  Nemesis is lame; but she is of colossal stature, like the gods, and sometimes, while her sword is not yet unsheathed, she stretches out her huge left arm and grasps her victim. The mighty hand is invisible, but the victim totters under the dire clutch.

  George Eliot Scenes of Clerical Life

  1

  Escapology was like magic. The secret lay in misdirection. Some escapes were accomplished by creating an illusion through careful planning; others were genuine feats of strength, daring and flexibility, both mental and physical; and some were mixtures of both. But whatever the methods, the element of misdirection always played a crucial role. And when it came to misdirection, he called no man his master.

  Best of all was the misdirection that the onlooker didn’t even know was happening. To accomplish that you had to make your diversion blend into the spectrum of normal.

  Some settings made that harder than others. Take an office where everything ran like clockwork. You’d struggle to camouflage a distraction there because anything out of the ordinary would stand out and stick in people’s minds. But in prison there were so many unpredictable variables – volatile individuals; complex power structures; trivial disputes that could go nuclear in a matter of moments; and pent-up frustrations never far from bursting like a ripe zit. Almost anything could go off at any time, and who could say whether it was a calculated event or just one of a hundred little local difficulties getting out of hand? The very existence of those variables made some people uneasy. But not him. For him, every alternate scenario provided a fresh opportunity, another option to scrutinise till finally he hit on the perfect combination of circumstances and characters.

  He’d considered faking it. Paying a couple of the lads to get into a ruck on the wing. But there were too many downsides to that. For one thing, the more people who knew about his plans, the more prospects there were for betrayal. For another, most of the people inside were there because their previous attempts at dissimulation had failed dismally. Probably not the best people to entrust with putting on a convincing performance, then. And you could never rule out plain stupidity, of course. So faking it was out.

  However, the beauty of prison was that there was never a shortage of levers to pull. Men trapped on the inside were always prey to fears of what might be going down on the outside. They had lovers, wives, kids and parents who were vulnerable to violence or temptation. Or just the threat of those things.

  So he’d watched and waited, gathering data and evaluating it, figuring out where the possibilities offered the
best chance of success. It helped that he didn’t have to rely on his own observations. His support system beyond the walls had provided the intelligence that plugged most of the gaps in his own knowledge. It really hadn’t taken long to find the perfect pressure point.

  And now he was ready. Tonight he would make his move. Tomorrow night, he’d be sleeping in a wide, comfortable bed with feather pillows. The perfect end to a perfect evening. A rare steak with a pile of garlic mushrooms and rösti potatoes, perfectly complemented by a bottle of claret that would have only improved in the dozen years he’d been away. A plate of crisp Bath Olivers and a Long Clawson stilton to take away the bad taste of what passed for cheese in prison. Then a long hot bath, a glass of cognac and a Cuban Cohiba. He’d savour every gradation on the spectrum of the senses.

  A jagged cacophony of raised voices penetrated his visualisation, a routine argument about football crashing back and forth across the landing. An officer roared at them to keep the noise down and it subsided a little. The distant mutter of a radio filled the gaps between the insults and it occurred to him that even better than the steak, the booze and the cigar would be the freedom from other people’s noise.

  That was the one thing people never mentioned when they sounded off about how awful it must be to be in prison. They talked about the discomfort, the lack of freedom, the fear of your fellow inmates, the loss of your personal comforts. But even the most imaginative never commented on the nightmare of losing silence.

  Tomorrow, that nightmare would be over. He could be as quiet or as loud as he chose. But it would be his noise.

  Well, mostly his. There would be other noises. Ones that he was looking forward to. Ones he liked to imagine when he needed a spur to keep going. Ones he’d been dreaming about even longer than he’d been figuring out his escape route. The screams, the sobs, the stammering pleas for mercy that would never come. The soundtrack of payback.

  Jacko Vance, killer of seventeen teenage girls, murderer of a serving police officer and a man once voted the sexiest man on British TV, could hardly wait.

  2

  The big man put two brimming pints of copper-coloured ale on the table. ‘Piddle in the Hole,’ he said, settling his broad frame on a stool that disappeared from sight beneath his thighs.

  Dr Tony Hill raised his eyebrows. ‘A challenge? Or is that what passes for wit in Worcester?’

  Detective Sergeant Alvin Ambrose raised his glass in a salute. ‘Neither. The brewery’s in a village called Wyre Piddle, so they think they’re entitled.’

  Tony took a long draught of his beer, then gave it a considering look. ‘Fair enough,’ he said. ‘It’s a decent pint.’

  Both men gave the beer a moment’s respectful silence, then Ambrose spoke. ‘She’s pissed my guv’nor off royally, your Carol Jordan.’

  Even after all these years, Tony still struggled to keep a poker face when Carol Jordan was mentioned. It was a struggle worth maintaining, though. For one thing, he believed in never giving hostages to fortune. But more importantly, he’d always found it impossible to define what Carol meant to him and he wasn’t inclined to give others the chance to jump to mistaken conclusions. ‘She’s not my Carol Jordan,’ he said mildly. ‘She’s not anyone’s Carol Jordan, truth be told.’

  ‘You said she’d be sharing your house down here, if she got the job,’ Ambrose said, not hiding the reproach in his voice.

  A revelation Tony wished now he’d never made. It had slipped out during one of the late-night conversations that had cemented this unlikely friendship between two wary men with little in common. Tony trusted Ambrose, but that still didn’t mean he wanted to admit him into the labyrinth of contradictions and complications of what passed for his emotional life. ‘She already rents my basement flat. It’s not so different. It’s a big house,’ he said, his voice non-committal but his hand rigid on the glass.

  Ambrose’s eyes tightened at the corners, the rest of his face impassive. Tony reckoned the instinctive copper in him was wondering whether it was worth pursuing. ‘And she’s a very attractive woman,’ Ambrose said at last.

  ‘She is.’ Tony tipped his glass towards Ambrose in acknowledgement. ‘So why is DI Patterson so pissed off with her?’

  Ambrose raised one beefy shoulder in a shrug that strained the seam of his jacket. His brown eyes lost their watchfulness as he relaxed into safe territory. ‘The usual kind of thing. He’s served all his career in West Mercia, most of it here in Worcester. He thought when the DCI’s job came up, his feet were already tucked under the desk. Then your— then DCI Jordan made it known that she was interested in a move from Bradfield.’ His smile was as twisted as the lemon peel on the rim of a cocktail glass. ‘And how could West Mercia say no to her?’

  Tony shook his head. ‘You tell me.’

  ‘Track record like hers? First the Met, then something mysterious with Europol, then heading up her own major crimes unit in the fourth biggest force in the country and beating the counter-terrorism twats at their own game … There’s only a handful of coppers in the whole country with her experience who still want to be at the sharp end, rather than flying a desk. Patterson knew the minute the grapevine rustled that he was dead in the water.’

  ‘Not necessarily,’ Tony said. ‘Some bosses might see Carol as a threat. The woman who knew too much. They might see her as the fox in the henhouse.’

  Ambrose chuckled, a deep subterranean rumble. ‘Not here. They think they’re the bee’s knees here. They look at those mucky bastards next door in West Midlands and strut like peacocks. They’d see DCI Jordan like a prize pigeon coming home to the loft where she belongs.’

  ‘Very poetic.’ Tony sipped his beer, savouring the bitter edge of the hops. ‘But that’s not how your DI Patterson sees it?’

  Ambrose demolished most of his pint while he worked out his response. Tony was accustomed to waiting. It was a technique that worked equally well at work or at play. He’d never figured out why the people he dealt with were called ‘patients’ when he was the one who had to exert all the patience. Nobody who wanted to be a competent clinical psychologist could afford to show too much eagerness when it came to seeking answers.

  ‘It’s hard for him,’ Ambrose said at last. ‘It’s harsh, knowing you’ve been passed over because you’re second best. So he has to come up with something that makes him feel better about himself.’

  ‘And what’s he come up with?’

  Ambrose lowered his head. In the dim light of the pub, his dark skin turned him into a pool of shadow. ‘He’s mouthing off about her motives for moving. Like, she doesn’t give a toss about West Mercia. She’s just following you now you’ve inherited your big house and decided to shake the dust of Bradfield from your heels … ’

  It wasn’t his place to defend Carol Jordan’s choices, but saying nothing wasn’t an option either. Silence would reinforce Patterson’s bitter analysis. The least Tony could do was to give Ambrose an alternative to put forward in the canteen and the squad room. ‘Maybe. But I’m not the reason she’s leaving Bradfield. That’s office politics, nothing to do with me. She got a new boss and he didn’t think her team was good value for money. She had three months to prove him wrong.’ Tony shook his head, a rueful smile on his face. ‘Hard to see what more she could have done. Nailed a serial killer, cleared up two cold-case murders and busted a people-trafficking operation that was bringing in kids for the sex trade.’

  ‘I’d call that a serious clear-up rate,’ Ambrose said.

  ‘Not serious enough for James Blake. The three months is up and he’s announced that he’s breaking up the unit at the end of the month and scattering them through the general CID. She’d already decided she didn’t want to be deployed like that. So, she knew she was leaving Bradfield. She just didn’t know where she was headed. Then this West Mercia job came up, and she didn’t even have to change landlords.’

  Ambrose gave him an amused look and drained his glass. ‘You ready for another?’

  ‘I�
�m still working on this one. But it’s my shout,’ Tony protested as Ambrose headed back to the bar. He caught the glance the young barmaid threw in their direction, a faint frown on her soft features. He imagined they made an odd couple, him and Ambrose. A burly black man with a shaven head and a face like a heavyweight boxer, tie loosened, black suit tight over heavy muscles, Ambrose’s formidable presence would have fitted most people’s idea of a serious bodyguard. Whereas Tony reckoned he didn’t even look capable of guarding his own body, never mind anyone else’s. Medium height; slight of build; wirier than he deserved to be, given that his principal exercise came from playing Rayman’s Raving Rabbids on his Wii; leather jacket, hooded sweatshirt, black jeans. Over the years, he’d learned that the only thing people remembered about him were his eyes, a startling sparkling blue, shocking against the paleness of his skin. Ambrose’s eyes were memorable too, but only because they hinted at a gentleness apparent nowhere else in his demeanour. Most people missed that, Tony thought. Too taken up with the superficial image. He wondered if the barmaid had noticed.

  Ambrose returned with a fresh pint. ‘You off your ale tonight?’

  Tony shook his head. ‘I’m heading back to Bradfield.’

  Ambrose looked at his watch. ‘At this time? It’s already gone ten o’clock.’

  ‘I know. But there’s no traffic this time of night. I can be home in less than two hours. I’ve got patients tomorrow at Bradfield Moor. Last appointments before I hand them over to someone I hope will treat them like the damaged messes they are. Going at night’s a lot less stressful. Late-night music and empty roads.’

  Ambrose chuckled. ‘Sounds like a country music song.’

  ‘I sometimes feel like my whole life is a country music song,’ Tony grumbled. ‘And not one of the upbeat ones.’ As he spoke, his phone began to ring. He frantically patted his pockets, finally tracking it down in the front pocket of his jeans. He didn’t recognise the mobile number on the screen, but gave it the benefit of the doubt. If the staff at Bradfield Moor were having problems with one of his nutters, they sometimes used their own phones to call him. ‘Hello?’ he said, cautious.